The Gold Rush (1925) 1080p YIFY Movie

The Gold Rush (1925) 1080p

The Gold Rush is a movie starring Charles Chaplin, Mack Swain, and Tom Murray. A prospector goes to the Klondike in search of gold and finds it and more.

IMDB: 8.22 Likes

  • Genre: Adventure | Comedy
  • Quality: 1080p
  • Size: 1.70G
  • Resolution: / fps
  • Language:
  • Run Time: 95
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 4 / 8

The Synopsis for The Gold Rush (1925) 1080p

A lone prospector ventures into Alaska looking for gold. He gets mixed up with some burly characters and falls in love with the beautiful Georgia. He tries to win her heart with his singular charm.


The Director and Players for The Gold Rush (1925) 1080p

[Role:]Henry Bergman
[Role:]Tom Murray
[Role:]Mack Swain
[Role:Director]Charles Chaplin
[Role:]Charles Chaplin


The Reviews for The Gold Rush (1925) 1080p


Charlie of the YukonReviewed bylugonianVote: 10/10

THE GOLD RUSH (United Artists, 1925), written, directed and starring Charlie Chaplin, may not be the very best of the Chaplin feature comedies of the silent era, but has become the very movie in which Chaplin wanted to be most noted for by future generations. So proud of his achievement, Chaplin reissued this silent film in 1942 with a new music soundtrack which introduced a narration written and spoken by Chaplin himself, eliminating the use of title cards. Then in the summer of 1971, THE GOLD RUSH became the initial movie presented on public broadcasting station's 13-week series of "The Silent Years," as hosted by Orson Welles, from the Paul Killian collection with a new and excellent piano score by William Perry.

THE GOLD RUSH, which is set in the turn of the century, opens with The Lone Prospector (Charlie Chaplin) coming to Alaska. A snow storm drives him into the cabin of "Black" Lawson (Tom Murray), an outlaw. "Big Jim" McKay (Mack Swain), another prospector who has found gold on his claim, is also driven in by the storm and into the same cabin. After much struggle, Larson finds himself having to accept the two men as his guests. Stranded due to the heavy storm, Larson, finds himself chosen to go out for help. While out in the storm, he comes upon a couple of officers looking for him. He gets away by stealing their dog sled, but is later killed in an avalanche. Back to the cabin, Charlie and Larson, almost in near starvation, eventually make a meal out of a large bear. When the snow storm finally subsides, the two men go about their separate ways. Charlie comes to a mining town where he becomes infatuated with Georgia (Georgia Hale), a dance hall girl, causing jealousy from her suitor, Jack Cameron (Malcolm Waite). As for Jim, he has forgotten where his gold claim is, and locates Charlie to help him find it, separating him from Georgia. The results that follow is classic Chaplin.

Aside from a large list of supporting players, which consists of frequent Chaplin character actor Henry Bergman as Hank Curtis, "The Gold Rush" contains many now classic comedy supplements, including the starving Charlie cooking his boot in hot water, and using his shoelace as spaghetti; Charlie's encounter with Georgia; and the near end finale in which Charlie and Big Jim return to the cabin before setting out to find the claim, in which the cabin gets blown away during the blizzard that forces the cabin to be found the next morning halfway over the edge of a cliff which starts to tilt back and forth as the men make their slightest movement. There are tender moments, too, including Charlie awaiting for Georgia and her other friends to accompany him for New Year's Eve dinner, with tears flowing down his cheek when at the stroke of midnight realizes they are not coming. The most famous sequence of the entire movie is the one where Charlie falls asleep and dreams of himself entertaining his dinner guests by using two forks in two potato rolls as his feet and doing a dance for them.

With THE GOLD RUSH being Chaplin's most revived and discussed movie, one must never forget his other artistic achievements that followed, including THE CIRCUS (1928), CITY LIGHTS (1931), MODERN TIMES (1936) and his talkie debut of THE GREAT DICTATOR (1940). Since the advent of home video in the early 1980s, THE GOLD RUSH consists of various editions and different music scores, ranging from the use of piano, organ or orchestra. There are even some editions that have no music track at all, along with some copies running different time lengths, and others eliminating the final closing segment set on the boat in which Charlie and Georgia walk on top of the deck to be interviewed and photographed by the press before the fadeout. The 1942 reissue, being a shorter print with Chaplin's narration, not only was presented occasionally on American Movie Classics, but can also be found on Chaplin's 100th birthday anniversary video edition followed by a 1921 comedy short, PAY DAY. Video or DVD enthusiasts out there certainly will have a major choice to consider as to which copy to have in their collection. But in spite of numerous editions, THE GOLD RUSH is a golden treasure where it had been shown on American Movie Classics (1997-2001) and currently presented on Turner Classic Movies in either format of the shorter 1942 reissue or silent print with the William Perry piano score. While Chaplin is listed in the cast solely as The Lone Prospector, avid lip readers will notice that he is called "Charlie" by his supporting players, especially by Georgia. (****)

Silent Films: Silently passing by.Reviewed byfaithnomore41291Vote: 3/10

This is the first silent film I have ever seen, so I really was not use to having absolutely no sound (other than the piano in the background) in a 90 minute movie. So it was neat to see the actors using over exaggerated expressions to get their feelings/ideas across.

I felt like they did some of same gags over and over again, like someone getting chased around the cabin or The Lonely Prospector burning himself on the stove. It just got really old to me quickly. I don't know maybe because I'm from a different time period and way life but the film just didn't do anything for me. I didn't really like the plot of the movie and thought it was a little too spread out and could have had the same effect if it was only 30 to 40 minutes long and nothing would have been lost.

Chaplin's best--what a film!Reviewed byMartinHaferVote: 7/10

I've seen both version of this film--the original silent version from 1925 and the re-release by Chaplin in the 1940s. The difference is that the re-release was designed to appeal to a new audience that expected sound from their movies. To do this, title cards were removed--having Chaplin narrate the film. In addition, Chaplin-created music (for the most part--some were classical pieces), sound effects and singing were added to make the movie more palatable to the average viewer. I personally like BOTH versions and the one you watch is up to you if you get a copy of the Warner Brothers release on DVD--it has both plus excellent DVD extras. Otherwise, there have been a lot of public domain versions on video out there--many with terrible quality prints or music or both. The Warner version is the most pristine and beautiful silent print you can find. The version usually shown on Turner Classic movies is the 1942 re-release.I use this film for my American history class when we do our unit on the history of film, though I might, in the future, use it for my Psychology classes as well (I teach both) because Chaplin's genius came from his obsessive-compulsive nature. The movie reportedly had 27 times more film exposed than you actually see in the film and the shoe eating segment was shot after more than 60 takes!! The plot involves Charlie going to Alaska for the Gold Rush at the turn of the century. Along the way, he has a series of misadventures that have been thoroughly discussed in the other reviews here on IMDb. Suffice to say, the supporting acting was excellent and the story kept an excellent pace and had enough slapstick to make it fun to watch (something not true of all full-length slapstick comedies--sometimes, their pacing was negatively affected by the transition from shorts to full-length).This is a gorgeous, well-executed piece of American art and a must for any real cinemaniac. The musical score (arranged by Chaplin), direction, acting and cinematography all are simply perfect--making this, in my opinion, the best full-length silent comedy ever made. This is saying a lot considering how much I love Harold Lloyd and Buster Keaton's films!

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